Sculptor Raymund Fernandez isn’t afraid of death

By Denzel Yorong
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When the present doesn’t hold: Navigating time between times in Anton Mallari’s…

By Gabrielle Gonzales

Mass Media and Martial Law in Alfredo Esquillo's Bread and Circuses

By Meg Genuino
As the country prepares for the inauguration of a new president, Esquillo’s works beckon viewers to look…

Renz Baluyot’s Anthem: A Song for the Adrift

By Mara Fabella
Writer Mara Fabella ruminates on the lengths we go to give form to the ineffable and elusive, and finds grounding…

Synthetic Condition: Relics of the Personal World like Shed Snakeskin

By Carl Lorenz Cervantes
As one's identity, memories, and feelings emerge from the depths of the psyche, they find synthetic expressions,…

The glimmer of woman’s desire in Pam Quinto’s ‘lonely is the room’

By Zea Asis
"It would seem that I’d been led to trespass at a crime scene. Was it…

Odes on a gossamer existence: The works of Hae Ryun, Christian Carillaza and Jem…

By The Cartellino Team
At Galerie Stephanie, a trio of shows offer a contemplative retreat into the sublimity of nature.

Pio Abad: Exorcising the Ghosts of the Marcos Regime

By Mara Fabella
After ten years of research into the conjugal dictatorship of Ferdinand and Imelda Marcos, Pio Abad's Fear…

Writer and director Alex Westfall critically imagines history through archives and…

By Zea Asis
“A lot of my work stems from the existential question 'How did I get here? [...] What would have happened…

Tracing trajectories in Jonas Eslao’s Blanc Gallery Solo Show

By The Cartellino Team
In Jonathan Eslao’s most recent show, scrap fabrics overlap, crack, and crease and clumps of paint collect…

Remembering and Retrieving in Ateneo Art Gallery's Ligalig

By Meg Genuino
"...With only less than a month before the registered population is given a chance to choose the nation’s…