Reflections on the Philippine art scene’s manly competitions and dirty plays

By Carla Gamalinda
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The contradictions of construction in Vien Valencia's 'Unpainting'

By Shireen Co
"These are the supposed fallout from other projects, material in between, on…

'The absence left the void half full': Works on what we find in nothingness

By Gabrielle Gonzales
Cartellino's first ever physical exhibition, presented at the 2022 Modern and Contemporary Art Festival, features…

Discerning Treasure and Wealth in Jandy Carvajal’s Repoussé Artworks

By Mara Fabella
His third exhibit of repoussé works, Ang Ating Mga Kayamanan Sa Bakuran is Jandy Carvajal's…

To the fires that never go out: An ode to the myth, method, and madness in Iya Regalario’s…

By Nikki Ignacio
“Fire is life and death, the beginning and end, constantly burning through…

Manix Abrera’s Tahakin: Pick a path, any path!

By The Cartellino Team

The Gathering Infestation in ND Harn’s Collecting Faults

By Mara Fabella
ND Harn's latest offering at Finale Art File unpack the stashes of thoughts and memories we stow away in the…

Score the matrix until you cut through: The art of Printmaking for the People

By The Cartellino Team
“Printmaking stands at the front lines of progressive propaganda. It…

When the present doesn’t hold: Navigating time between times in Anton Mallari’s…

By Gabrielle Gonzales

Mass Media and Martial Law in Alfredo Esquillo's Bread and Circuses

By Meg Genuino
As the country prepares for the inauguration of a new president, Esquillo’s works beckon viewers to look…

Renz Baluyot’s Anthem: A Song for the Adrift

By Mara Fabella
Writer Mara Fabella ruminates on the lengths we go to give form to the ineffable and elusive, and finds grounding…