Seeing the Light: Mark Justiniani’s Cosmology of Perception and Division

By Vanini Belarmino
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Oh, for art’s sake! The No Name Show is back

By Pao Vergara
In The No Name Show 2.0, Gravity Art Space puts art-for-pleasure center stage

Molding, meaning, making: How Tahanan Pottery is building a communal home for contemporary…

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“Clay is the only material that replies to your touch. When you poke…

Kanpeki: The Voice of Independent Philippine Artists Heard in Kyoto

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Koki Lxx visits Kyoto’s Voice Gallery, where curator Matsuo Megumi has teamed up with Nano to survey…

Framing Windows to an Archive in three facets (After a text by Randall C. Jimerson)

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At ALiWW, Imelda Cajipe Endaya's archival exhibit presents a repository "open,…

A Liminal Outer Space: On Celine Lee and Miguel Lorenzo Uy’s A Past, A Future

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"What Lee and Uy simulate [...] lies in the interstices of our world and beyond — both here and there,…

Jana Benitez answers and shares the call of the wild

By Pao Vergara
With a wide range of styles following her childhood entry into the art world,…

An art of memory in crisis

By Sean Carballo
"In these works, looking is no ambiguous act. To look — clearly and intentionally…

Being Kids For Kids: Culture-conscious action toward empowered futures

By The Cartellino Team
"We’re trying to create a world where no matter how different your passions are, everyone should be able…

The Joys and Abundance in the Life and Art of Inday Cadapan

By Mara Fabella
"The simplicity in her form and her lack of a formal artistic background had…

Further Conversation with Material: Curator’s Talk with Lara Acuin and Con…

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Speaking with Lk Rigor, curators Lara Acuin and Con Cabrera go into the intricacies of curating, artmaking,…