Catalina Africa charts a shapeshifting path

“The energy of my work comes from the Baler landscape... I am a conduit…

Reading Gale Encarnacion’s Pushkin Roberts Anthology

"I found myself looking at each work in its entirety before checking their…

Oh, for art’s sake! The No Name Show is back

In The No Name Show 2.0, Gravity Art Space puts art-for-pleasure center stage

Kanpeki: The Voice of Independent Philippine Artists Heard in Kyoto

Koki Lxx visits Kyoto’s Voice Gallery, where curator Matsuo Megumi has teamed up with Nano to survey…

Framing Windows to an Archive in three facets (After a text by Randall C. Jimerson)

At ALiWW, Imelda Cajipe Endaya's archival exhibit presents a repository "open,…

A Liminal Outer Space: On Celine Lee and Miguel Lorenzo Uy’s A Past, A Future

"What Lee and Uy simulate [...] lies in the interstices of our world and beyond — both here and there,…

Jana Benitez answers and shares the call of the wild

With a wide range of styles following her childhood entry into the art world,…

An art of memory in crisis

"In these works, looking is no ambiguous act. To look — clearly and intentionally…