Culture +

How farmers and cultural workers teamed up to preserve Bulacan’s agricultural, built, and artistic heritage 

By Pao Vergara

“Tayo ang bukid,” (“we are the meadow”) reads the sign at the Pulong Kabyawan Protected Zone perhaps asking visitors to see themselves – and the world – in a new (or old?) light.

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Catalina Africa charts a shapeshifting path

By Sean Carballo
“The energy of my work comes from the Baler landscape... I am a conduit…

Reading Gale Encarnacion’s Pushkin Roberts Anthology

By Mara Fabella
"I found myself looking at each work in its entirety before checking their…

Oh, for art’s sake! The No Name Show is back

By Pao Vergara
In The No Name Show 2.0, Gravity Art Space puts art-for-pleasure center stage

Molding, meaning, making: How Tahanan Pottery is building a communal home for contemporary…

By Nikki Ignacio
“Clay is the only material that replies to your touch. When you poke…

Kanpeki: The Voice of Independent Philippine Artists Heard in Kyoto

By Koki Lxx
Koki Lxx visits Kyoto’s Voice Gallery, where curator Matsuo Megumi has teamed up with Nano to survey…

Framing Windows to an Archive in three facets (After a text by Randall C. Jimerson)

By Lk Rigor
At ALiWW, Imelda Cajipe Endaya's archival exhibit presents a repository "open,…

A Liminal Outer Space: On Celine Lee and Miguel Lorenzo Uy’s A Past, A Future

By Pie Tiausas
"What Lee and Uy simulate [...] lies in the interstices of our world and beyond — both here and there,…

Jana Benitez answers and shares the call of the wild

By Pao Vergara
With a wide range of styles following her childhood entry into the art world,…

An art of memory in crisis

By Sean Carballo
"In these works, looking is no ambiguous act. To look — clearly and intentionally…