Reflections on the Philippine art scene’s manly competitions and dirty plays

By Carla Gamalinda
Read More
Latest Articles

of forgetting, of remembering

By James Luigi Tana
"Writing has to side with collective truths and it should compel one to interrogate…

This is Not MO_Space: Traversing a space of unknowing

By Sean Carballo
"This is Not MO_Space gathers…

Remembering loss in Teo Esguerra's flirted with you all my life

By The Cartellino Team
The artist’s latest offering at Vinyl on Vinyl reflects on a life lived…

Imaging faith: A look at Lyndon Maglalang's Preparatory Measures

By The Cartellino Team
The collection of acrylic and dry paint compositions continues the documentation…

Weaving a Legacy: Of Art, Growth, and Community

By Alyssa Selanova
"Now in its fourth year, Tubô Cebu Art Fair continuously echoes and demonstrates Visayas-Mindanao's growing…

Fotomoto 22 brings us “Home”

By Marz Aglipay
Fotomoto 22 opens up to more photographers for its second edition themed “Home”.

Collaging Worlds: The Contemporary Spiritual in Jet B. Leyco’s Ispirituwal…

By Pie Tiausas
"With the collapse of the search for an archaic singular truth then comes the…

How memory weaves a thread of justice

By Pao Vergara
In its second iteration in the Ateneo Art Gallery, a collaborative exhibit between researchers, autobiographical…

A Red That Runs Deep: Doktor Karayom’s Namatanda

By Mara Fabella
At Artinformal Gallery, Doktor Karayom clads the walls red with tales of old, the stories that bleed.

The Transcendence of Memory: Luis Antonio Santos at MO_Space

By Meg Genuino
Navigating our processes of forgetting and remembering, Luis Antonio Santos uses the land, our environments,…