Reflections on the Philippine art scene’s manly competitions and dirty plays

By Carla Gamalinda
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Synthetic Condition: Relics of the Personal World like Shed Snakeskin

By Carl Lorenz Cervantes
As one's identity, memories, and feelings emerge from the depths of the psyche, they find synthetic expressions,…

The glimmer of woman’s desire in Pam Quinto’s ‘lonely is the room’

By Zea Asis
"It would seem that I’d been led to trespass at a crime scene. Was it…

Odes on a gossamer existence: The works of Hae Ryun, Christian Carillaza and Jem…

By The Cartellino Team
At Galerie Stephanie, a trio of shows offer a contemplative retreat into the sublimity of nature.

Pio Abad: Exorcising the Ghosts of the Marcos Regime

By Mara Fabella
After ten years of research into the conjugal dictatorship of Ferdinand and Imelda Marcos, Pio Abad's Fear…

Writer and director Alex Westfall critically imagines history through archives and…

By Zea Asis
“A lot of my work stems from the existential question 'How did I get here? [...] What would have happened…

Tracing trajectories in Jonas Eslao’s Blanc Gallery Solo Show

By The Cartellino Team
In Jonathan Eslao’s most recent show, scrap fabrics overlap, crack, and crease and clumps of paint collect…

Remembering and Retrieving in Ateneo Art Gallery's Ligalig

By Meg Genuino
"...With only less than a month before the registered population is given a chance to choose the nation’s…

The Regions in Focus at the 10th Art Fair Philippines

By Marz Aglipay
With this year’s edition of Art Fair Philippines going hybrid, featured art groups from the country’s…

On Shifting Perceptions: Artist Interview with Lesley-Anne Cao and Pam Quinto

By Zea Asis
Writer Zea Asis speaks to both Lesley-Anne Cao and…

Finding Poetry in Jel Suarez’s arrivals, retrievals

By Shireen Co
Every element in…