Rethinking the Idea of a Gallery Space at RCBC Plaza

By SEAN CARBALLO
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First impressions: Inside the OVERINKED Studio

By The Cartellino Team
As part of Prints Made in May 2023, Cartellino met with the members of up-and-coming…

A Break-Up as Queer Form in Jao San Pedro’s Willing the Sun to Rise Twice

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Print and Imprint: Pandy and Diana Aviado on leaving a mark through printmaking

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“I’m still trying to find out what it all means

Playtime for the inner child: A look into Khavn de la Cruz’s art practice

By Pao Vergara
Khavn de la Cruz talks to Cartellino

What happens after the dust settles? Stephen Lucio reflects on mortality

By Shireen Co
Dust envelops the sweep of Stephen Lucio’s first solo exhibit. The through line of ‘When Dust Settles’,…

Flux and Process with Antoni Muntadas

By Sean Carballo
Following his review of the artist's' Exercises on Past and Present Memories, Sean Carballo and Antoni…

Finding the Filipino in Living Pictures

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Decribed as “the world’s first-ever survey of photography's histories across Southeast Asia”,…

Material Histories in Muntadas: Exercises on Past and Present Memories

By Sean Carballo
"Resulting from a period of archival research after the artist first visited…

Embodied epics: The body and its memories in Julie Lluch’s Chronicles on Skin

By The Cartellino Team
In a time where the transmission of stories faces revision, miscommunication,…

Participating in the anti-monument in You Betrayed the Party Just When You Should…

By Corinne Fernandez Garcia
"The anti-monument is understated. It listens to the land and it listens to the people, creating space for…