Clearing the Visions Through White Noise

By Grace Micah Oreiro
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Beyond the line: A profile on Eugenia Alcaide

By Corinne Fernandez Garcia
“It is this emotion that compels, that makes art relatable, that turns…

Galleries take a youthful approach to art at the Xavier Art Fest 2023

By Pao Vergara
Resuming its in-person format, the Xavier Art Fest continues its mission to…

How farmers and cultural workers teamed up to preserve Bulacan’s agricultural,…

By Pao Vergara
“Tayo ang bukid,” (“we…

Catalina Africa charts a shapeshifting path

By Sean Carballo
“The energy of my work comes from the Baler landscape... I am a conduit…

Reading Gale Encarnacion’s Pushkin Roberts Anthology

By Mara Fabella
"I found myself looking at each work in its entirety before checking their…

Oh, for art’s sake! The No Name Show is back

By Pao Vergara
In The No Name Show 2.0, Gravity Art Space puts art-for-pleasure center stage

Molding, meaning, making: How Tahanan Pottery is building a communal home for contemporary…

By Nikki Ignacio
“Clay is the only material that replies to your touch. When you poke…

Kanpeki: The Voice of Independent Philippine Artists Heard in Kyoto

By Koki Lxx
Koki Lxx visits Kyoto’s Voice Gallery, where curator Matsuo Megumi has teamed up with Nano to survey…

Framing Windows to an Archive in three facets (After a text by Randall C. Jimerson)

By Lk Rigor
At ALiWW, Imelda Cajipe Endaya's archival exhibit presents a repository "open,…

A Liminal Outer Space: On Celine Lee and Miguel Lorenzo Uy’s A Past, A Future

By Pie Tiausas
"What Lee and Uy simulate [...] lies in the interstices of our world and beyond — both here and there,…