Seeing the Light: Mark Justiniani’s Cosmology of Perception and Division

By Vanini Belarmino
Read More
Latest Articles

It takes many twos

By Alain Camiling
When it comes to art writing, there's often much to consider; in this estimate, two too many.

Ardent readings

By Carlos Quijon, Jr.
"Ardent readings lead us to the emergence of something exemplary or to finding felicity in forms or articulations…

Art Writing and ‘Stilled Lives’

By Lyra Garcellano
On days we remain trapped, we take notice of what…

Luck at First Strike: Three Winning Filipina Printmakers at International Print…

By Marz Aglipay
“Striking” is a printmaking term, meaning to lay paper on an inked plate to make a mark. It is…

Constructing Myths through Unconfined Cinema

By Isabel Cabal
Cinema is its own instrument and instrumentalist in storytelling. The three films Erwin Romulo arranged reversed…

On the Materiality of Cloth in Dino Gabito's ‘Threads’

By Shireen Co
Gabito’s preoccupation with cloth focuses…

'Connecting and Disconnecting': the Self In and Beyond the Cybernetic Astral Plane

By Carl Lorenz Cervantes
Bizzarro pop-surrealist Ciane Xavier's latest exhibition, 'Connecting and Disconnecting', calls for pause amid…

Defining Home in the Works of Contreras, Bacay, and Tee

By Mara Fabella
In this month’s exhibitions at MO_Space Gallery, Marionne Contreras,…

NFT Art: A Double-Edged Sword

By Raissa Azarcon
When the quality of art is equivalent to its mintability, what exactly is being sustained?

Expanding the Tapestry: Modern Myth-Making with Philippine Spirits

By Mara Fabella
Jean Karl Gaverza engages with local myth and folklore -- and invites readers to do the same.