Reflections on the Philippine art scene’s manly competitions and dirty plays

By Carla Gamalinda
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What to See in This Year's UPCFA Studio Arts Degree Show

By Shireen Co
This year's UPCFA student degree showcase serves up a balance of skill, talent, ingenuity, limning, incidentally,…

Loosen Writing’s Leash

By Pristine L. de Leon
Kickstarting the series, On Art Writing, Pristine…

Sam Feleo’s Scopic Anatomies Continues with Altro Mondo

By The Cartellino Team
Scopic Anatomies - first with Cartellino, now on view at Altro Mondo gallery - is a fond update on the artist's…

Further Notes on Tuchi Imperial's Smaller Worlds

By The Cartellino Team

How Thirty-three Artists Redefine 'Kasarinlan'

By Shireen Co
Launched, tellingly, on July 4 at the Linangan Art Residency, the group exhibition 'Kasarinlan' examines…

Subjugation through Adoration: Bona (1980) Reviewed

By Raissa Azarcon
Interesting to note, too, is that the film was made and released when the Philippines was embroiled in the…

Regina Reyes and the Art of What We Leave Behind

By Angelo Dinglasan
In the artist's second solo show, Sunday becomes a vibe. The author catches up with the artist on the ideas…

STRANGE FRUIT: Six Photographers Define Light Nutrition

By Ike Penabella

The Treachery and Optimism of Ayka Go’s Images

By Mara Fabella

Like This/Like That: On 'Katulad/Kahadha'

By Lix Sumilong
This Instagram exhibition draws striking parallels between works by Philippine and Arab masters, identifying…