Reflections on the Philippine art scene’s manly competitions and dirty plays

By Carla Gamalinda
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On the Threads of Space and Time in “Passing”

By Mara Fabella
In her solo show “Passing,” Celine Lee wrestles with the inevitable pull of the unknowable.

Ang INK’s 30th Traces Its Role in Children’s Literature

By Wil-Lian Guzmanos
Nina Martinez, the current president of Ang INK,…

Artist Interview: Sam Feleo on Process and Her Next Steps

By Angelo Dinglasan
"In a way, the process became a process of care: about caring,…

Shedding Light: FotomotoPH on Their Inaugural and Connection through Portraiture

By The Cartellino Team
“Fotomoto” is a play on the words “photo…

Printmaking Illustrations: The self-published books and full-colored prints of Keith…

By Marz Aglipay
Unlike artists books that are often focused on highlighting…

Meet Your Instructor: Steph Alvarez on Her Practice of Art

By The Cartellino Team
"With painting still life (in my class), students…

It takes many twos

By Alain Camiling
When it comes to art writing, there's often much to consider; in this estimate, two too many.

Ardent readings

By Carlos Quijon, Jr.
"Ardent readings lead us to the emergence of something exemplary or to finding felicity in forms or articulations…

Art Writing and ‘Stilled Lives’

By Lyra Garcellano
On days we remain trapped, we take notice of what…

Luck at First Strike: Three Winning Filipina Printmakers at International Print…

By Marz Aglipay
“Striking” is a printmaking term, meaning to lay paper on an inked plate to make a mark. It is…