Score the matrix until you cut through: The art of Printmaking for the People
By The Cartellino Team
“Printmaking stands at the front lines of progressive propaganda. It has long been an important part of Philippine…

Writer and director Alex Westfall critically imagines history through archives and fiction
By Zea Asis
“A lot of my work stems from the existential question 'How did I get here? [...] What would have happened had this dictatorship not happened,…

Remembering and Retrieving in Ateneo Art Gallery's Ligalig
By Meg Genuino
"...With only less than a month before the registered population is given a chance to choose the nation’s leaders, Ligalig presents a diversity…

The Regions in Focus at the 10th Art Fair Philippines
By Marz Aglipay
With this year’s edition of Art Fair Philippines going hybrid, featured art groups from the country’s three main island clusters discuss…

On Shifting Perceptions: Artist Interview with Lesley-Anne Cao and Pam Quinto
By Zea Asis
Writer Zea Asis speaks to both Lesley-Anne Cao and Pam Quinto at length about ideating their…

Ang INK’s 30th Traces Its Role in Children’s Literature
By Wil Guzmanos
Nina Martinez, the current president of Ang INK, shares the organization’s hopes for…

Printmaking Illustrations: The self-published books and full-colored prints of Keith Gum
By Marz Aglipay
Unlike artists books that are often focused on highlighting works of an artist, Keith’s…

Meet Your Instructor: Steph Alvarez on Her Practice of Art
By The Cartellino Team
"With painting still life (in my class), students will learn the basic watercolor painting…

It takes many twos
By Alain Zedrick Camiling
When it comes to art writing, there's often much to consider; in this estimate, two too many.

Ardent readings
By Carlos Quijon
"Ardent readings lead us to the emergence of something exemplary or to finding felicity in forms or articulations not readily recognizable as such."

Art Writing and ‘Stilled Lives’
By Lyra G
On days we remain trapped, we take notice of what we will eventually leave behind.

Luck at First Strike: Three Winning Filipina Printmakers at International Print Exhibition
By Marz Aglipay
“Striking” is a printmaking term, meaning to lay paper on an inked plate to make a mark. It is also a convenient word to describe the winning…

NFT Art: A Double-Edged Sword
By Raissa Azarcon
When the quality of art is equivalent to its mintability, what exactly is being sustained?

Loosen Writing’s Leash
By Pristine de Leon
Kickstarting the series, On Art Writing, Pristine de Leon poses the question: How might…

Unprocessed and Hastily Published: Some Zines from a Personal Collection
By Carl Cervantes
The author dusts five collected zines in a part review, part remembrance of pre-pandemic past

Expanding the Tapestry: Modern Myth-Making with Philippine Spirits
By Mara Fabella
Jean Karl Gaverza engages with local myth and folklore -- and invites readers to do the same.

Subjugation through Adoration: Bona (1980) Reviewed
By Raissa Azarcon
Interesting to note, too, is that the film was made and released when the Philippines was embroiled in the Marcos dictatorship.

STRANGE FRUIT: Six Photographers Define Light Nutrition
By Jed Escueta
Their works debuted…

Regina Reyes and the Art of What We Leave Behind
By Jose Naval
In the artist's second solo show, Sunday becomes a vibe. The author catches up with the artist on the ideas behind her continuing practice.

Present Catechisms
By Jose Naval
Why with art amid crisis are we no longer surprised?

In Shaky, Red Ink: Mako Micro-press
By Carl Cervantes
A fellow zine-maker reflects on the indomitable arts group.