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Revolution and remembrance in the first-ever Philippine Pavilion of the Gwangju Biennale
On Debris and Idylls: Zean Cabangis’s Nawawalang Paraiso
How a furniture design studio reimagines art
A space for new forms of expression for longtime artists
Sculptor Raymund Fernandez isn’t afraid of death
The 2024 Benilde Open takes flight with ambitious grants
Memories, Impressions, and Hopes: On Thought for the morrow
Gaze and Politics in Vien Valencia’s BAD LAND
Heeding Signs all the way home
Clearing the Visions Through White Noise
Hope is a Flight of Fancy: On Gabby Prado’s I’m Dying but I Want Bumblebee
Please Touch the Art at Art in the Park 2024
Notes on Notes on Navigation (and Other Oscillations)
Recent ruminations on the archives: on body, care, and time
Beyond Binaries and Biology: “Menarche” Explores the Iridescence of Womanhood
FCPM: Time Held at a Standstill with Paulu Bruselas
Becoming An Art World Insider at ALT Philippines 2024
“The Little Paper Show”: The journey thus far
FCPM: Intangible Geometries in the Art of Jomike Tejido
Trend Analysis: Reshaping the Land At Art Fair PH 2024
From Maginhawa to Koganecho, With Love