Cut & Curated

A Liminal Outer Space: On Celine Lee and Miguel Lorenzo Uy’s A Past, A Future

By Pie Tiausas

"What Lee and Uy simulate [...] lies in the interstices of our world and beyond — both here and there, and then and now — enclosing outer space and turning it into a liminal one."

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Finding Poetry in Jel Suarez’s arrivals, retrievals

By Shireen Co
Every element in…

On the Threads of Space and Time in “Passing”

By Mara Fabella
In her solo show “Passing,” Celine Lee wrestles with the inevitable pull of the unknowable.

Ang INK’s 30th Traces Its Role in Children’s Literature

By Wil-Lian Guzmanos
Nina Martinez, the current president of Ang INK,…

Artist Interview: Sam Feleo on Process and Her Next Steps

By Angelo Dinglasan
"In a way, the process became a process of care: about caring,…

Shedding Light: FotomotoPH on Their Inaugural and Connection through Portraiture

By The Cartellino Team
“Fotomoto” is a play on the words “photo…

Printmaking Illustrations: The self-published books and full-colored prints of Keith…

By Marz Aglipay
Unlike artists books that are often focused on highlighting…

Meet Your Instructor: Steph Alvarez on Her Practice of Art

By The Cartellino Team
"With painting still life (in my class), students…

It takes many twos

By Alain Camiling
When it comes to art writing, there's often much to consider; in this estimate, two too many.

Ardent readings

By Carlos Quijon, Jr.
"Ardent readings lead us to the emergence of something exemplary or to finding felicity in forms or articulations…

Art Writing and ‘Stilled Lives’

By Lyra Garcellano
On days we remain trapped, we take notice of what…