Search - CC

For Science: Space Encounters Gallery Launches Online Fundraiser
By The Cartellino Team
Ongoing until May 30, 2020.

Astride the City: Artist Interview with Vin Quilop
By The Cartellino Team
Whether it’s a boat leaving port at Roxas Boulevard or a 7-11 shopfront done in the style of Edward Hopper, Vin’s delectable slices-of-life…

The Shape of Thinking: Artist Interview with Jem Magbanua
By The Cartellino Team
Introspective, calm, powerfully affective, Jem’s…

Options A-Z; Ho Tzu Nyen’s Critical Dictionary of South-East Asia
By The Cartellino Team

Where Do We Stand With Participatory Art?
By The Cartellino Team
Bombast and nudity aside, in situ art projects and chance happenings have a unique capacity to…

The Yokosuka Pictures of Miyako Ishiuchi
By Jose Naval
Miyako, like many others, grew up in Yokosuka’s distinct atmosphere of residue and unnerve.

In-Between Visibility: Cavity Collective’s Push for Philippine Urban Art
By The Cartellino Team

Cut & Curated: Quarantine in Shuttered Speeds
By Jose Naval
For this edition of Cut & Curated, we collated snippets from the visual diaries of Asian photographers around the world.

8 Online Art Courses For Questions (Privately) Asked
By The Cartellino Team
Anyone can have his or her interpretation of, or feeling toward, a piece. Although it’s…

Time Is a Medium in Mars Bugaoan’s “Appear Disappear 1/2 1/4”
By Jose Naval

Why Net Art Is Here to Stay
By Jose Naval
In line with movements like installation art and street art, the foremost principle was to close the gap with interactive artworks one URL away, utilizing…

Art Collecting 101: Consider Photobooks
By The Cartellino Team
There’s an intention to the production—part and parcel with it as an art object—that confers a tangible immediacy of the artist's…

SuperFlat: How Takashi Murakami Set The Stage For Post-War Japan
By Jose Naval
When Murakami first coined the term in 2001, it was to draw a connective line between the principles and two-dimensional aesthetics of Ukiyo-e…

Art Basel Premieres First-Ever Online Viewing Rooms
By Jose Naval
The new virtual platform provides collectors and enthusiasts worldwide access to over 2000 artworks by the 235 galleries in Art Basel’s premium…

A Beginner's Guide to Framing and Staple Styles
By Jose Naval
Take it with a grain of salt when someone tells you there aren’t any “hard and fast rules” for framing. It’s not untrue, but…

Not Visual Noise Deserves More Haunts
By Jose Naval
Apparent is a visceral kind of closeness, a physicality that bellows tones of immediacy across the gallery walls, even if it has us writhe.

Tips and Tricks For Starting Your Art Wall, Salon Style
By Jose Naval
Relaxed and flexible, the salon style allows for an eclectic mix of works to hang together without having to worry over framing, size, or symmetry…

Looking at The Times Through The Eyes of Charlie Co
By The Cartellino Team
Bending whimsy into the foreboding, Charlie Co’s works cast viewers adrift in his visual dreamscapes.

Sam Feleo Crystallizes Time and Space in "The Horizon of Expectations"
By Jose Naval
Unlike vast sceneries or grand events (the boundless ocean, the crack of thunder) at which we could only balk, Feleo’s crystalline structures…

Art Fair Philippines 2020 Expands Our Views on Art
By The Cartellino Team
Setting the tone at the entryways of each floor were English, Filipino, M’ranaw, and Baybayin iterations of Sol LeWitt’s “Wall Drawing…

Kichang Choi Reimagines Love Through Forms
By The Cartellino Team
Motifs of repetition and rupture undergird an eclectic array of subjects in this visual account of love—or, better, of the myriad ways we find…