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Oh, for art’s sake! The No Name Show is back
By Pao Vergara
In The No Name Show 2.0, Gravity Art Space puts art-for-pleasure center stage

Kanpeki: The Voice of Independent Philippine Artists Heard in Kyoto
By Koki Lxx
Koki Lxx visits Kyoto’s Voice Gallery, where curator Matsuo Megumi has teamed up with Nano to survey the state of independent art-making in the…

An art of memory in crisis
By Sean Carballo
"In these works, looking is no ambiguous act. To look — clearly and intentionally — lands as a corrective…

Further Conversation with Material: Curator’s Talk with Lara Acuin and Con Cabrera 
By Lk Rigor
Speaking with Lk Rigor, curators Lara Acuin and Con Cabrera go into the intricacies of curating, artmaking, and archiving, and how the team —…

A decade of Jaime Pacena II’s creative practice: There’s art in all the in-betweens
By James Luigi Tana

A Conversation: Brushing histories, carving space
By Lyra Garcellano and Lec Cruz
In reflections on their personal artistic process, the artists invite readers and viewers of art to engage in the active exploration of the past, to…

of forgetting, of remembering
By James Luigi Tana
"Writing has to side with collective truths and it should compel one to interrogate rather than to provide absolute…

Weaving a Legacy: Of Art, Growth, and Community
By Alyssa Selanova
"Now in its fourth year, Tubô Cebu Art Fair continuously echoes and demonstrates Visayas-Mindanao's growing and never-ending hunger for art..."

Fotomoto 22 brings us “Home”
By Marz Aglipay
Fotomoto 22 opens up to more photographers for its second edition themed “Home”.

'The absence left the void half full': Works on what we find in nothingness
By Gabrielle Gonzales
Cartellino's first ever physical exhibition, presented at the 2022 Modern and Contemporary Art Festival, features works by Jobert Cruz, Teo Esguerra,…

When the present doesn’t hold: Navigating time between times in Anton Mallari’s When Dusk Settles
By Gabrielle Gonzales

Mass Media and Martial Law in Alfredo Esquillo's Bread and Circuses
By Meg Genuino
As the country prepares for the inauguration of a new president, Esquillo’s works beckon viewers to look back — as far as the collapse…

Remembering and Retrieving in Ateneo Art Gallery's Ligalig
By Meg Genuino
"...With only less than a month before the registered population is given a chance to choose the nation’s leaders, Ligalig presents a diversity…

The Regions in Focus at the 10th Art Fair Philippines
By Marz Aglipay
With this year’s edition of Art Fair Philippines going hybrid, featured art groups from the country’s three main island clusters discuss…

On Shifting Perceptions: Artist Interview with Lesley-Anne Cao and Pam Quinto
By Zea Asis
Writer Zea Asis speaks to both Lesley-Anne Cao and Pam Quinto at length about ideating their…

Ang INK’s 30th Traces Its Role in Children’s Literature
By Wil Guzmanos
Nina Martinez, the current president of Ang INK, shares the organization’s hopes for…

Meet Your Instructor: Steph Alvarez on Her Practice of Art
By The Cartellino Team
"With painting still life (in my class), students will learn the basic watercolor painting…

Ardent readings
By Carlos Quijon
"Ardent readings lead us to the emergence of something exemplary or to finding felicity in forms or articulations not readily recognizable as such."

Art Writing and ‘Stilled Lives’
By Lyra G
On days we remain trapped, we take notice of what we will eventually leave behind.

Defining Home in the Works of Contreras, Bacay, and Tee
By Mara Fabella
In this month’s exhibitions at MO_Space Gallery, Marionne Contreras, Pope Bacay, and Nicole Tee recreate the…

A Site of Curiosities: Soft Power Peripherals
By Marz Aglipay
If you’re reading this article from your workstation, take a good look at your surroundings.…