Search - Sculpture

Oh, for art’s sake! The No Name Show is back
By Pao Vergara
In The No Name Show 2.0, Gravity Art Space puts art-for-pleasure center stage

The Joys and Abundance in the Life and Art of Inday Cadapan
By Mara Fabella
"The simplicity in her form and her lack of a formal artistic background had…

The Ghost of Memory in Lui Gonzales' Countable and Uncountable
By Pie Tiausas
Writer Pie Tiausas discusses Lui Gonzales’ newest collection of paper compositions built up from the…

Fotomoto 22 brings us “Home”
By Marz Aglipay
Fotomoto 22 opens up to more photographers for its second edition themed “Home”.

The contradictions of construction in Vien Valencia's 'Unpainting'
By Shireen Co
"These are the supposed fallout from other projects, material in between, on…

Score the matrix until you cut through: The art of Printmaking for the People
By The Cartellino Team
“Printmaking stands at the front lines of progressive propaganda. It…

Mass Media and Martial Law in Alfredo Esquillo's Bread and Circuses
By Meg Genuino
As the country prepares for the inauguration of a new president, Esquillo’s works beckon viewers to look…

Synthetic Condition: Relics of the Personal World like Shed Snakeskin
By Carl Cervantes
As one's identity, memories, and feelings emerge from the depths of the psyche, they find synthetic expressions,…

Pio Abad: Exorcising the Ghosts of the Marcos Regime
By Mara Fabella
After ten years of research into the conjugal dictatorship of Ferdinand and Imelda Marcos, Pio Abad's Fear…

Remembering and Retrieving in Ateneo Art Gallery's Ligalig
By Meg Genuino
"...With only less than a month before the registered population is given a chance to choose the nation’s…

The Regions in Focus at the 10th Art Fair Philippines
By Marz Aglipay
With this year’s edition of Art Fair Philippines going hybrid, featured art groups from the country’s…

Artist Interview: Sam Feleo on Process and Her Next Steps
By Jose Naval
"In a way, the process became a process of care: about caring,…

It takes many twos
By Alain Zedrick Camiling
When it comes to art writing, there's often much to consider; in this estimate, two too many.

'Connecting and Disconnecting': the Self In and Beyond the Cybernetic Astral Plane
By Carl Cervantes
Bizzarro pop-surrealist Ciane Xavier's latest exhibition, 'Connecting and Disconnecting', calls for pause amid…

NFT Art: A Double-Edged Sword
By Raissa Azarcon
When the quality of art is equivalent to its mintability, what exactly is being sustained?

What to See in This Year's UPCFA Studio Arts Degree Show
By Shireen Co
This year's UPCFA student degree showcase serves up a balance of skill, talent, ingenuity, limning, incidentally,…

Regina Reyes and the Art of What We Leave Behind
By Jose Naval
In the artist's second solo show, Sunday becomes a vibe. The author catches up with the artist on the ideas…

The Treachery and Optimism of Ayka Go’s Images
By Mara Fabella

ART REEL: Art Fair Philippines 2021 Double-Take
By The Cartellino Team
With AFP 2021 at the tail-end, gathered here by the Cartellino Team are some works you may have missed or want…

Stories That Paint a Portrait of Negrense Women Artists
By Marz Aglipay
Here is a run-down of the works on view for 'Istorya Namon Subong,' now on its last week.

Who the Heck Is Maerschelle R. Douchechamp?
By The Cartellino Team
“Originality is dead, Douchechamp killed him!” - Freedrick Kneetsheh