Search - Prints

Catalina Africa charts a shapeshifting path
By Sean Carballo
“The energy of my work comes from the Baler landscape... I am a conduit…

A Liminal Outer Space: On Celine Lee and Miguel Lorenzo Uy’s A Past, A Future
By Pie Tiausas
"What Lee and Uy simulate [...] lies in the interstices of our world and beyond — both here and there,…

An art of memory in crisis
By Sean Carballo
"In these works, looking is no ambiguous act. To look — clearly and intentionally…

Looking through the materiality of memories in Isha Naguiat's Photo of a Photo
By Lk Rigor
"By altering her family photographs physically and chemically, the artist created…

Fotomoto 22 brings us “Home”
By Marz Aglipay
Fotomoto 22 opens up to more photographers for its second edition themed “Home”.

'The absence left the void half full': Works on what we find in nothingness
By Gabrielle Gonzales
Cartellino's first ever physical exhibition, presented at the 2022 Modern and Contemporary Art Festival, features…

Discerning Treasure and Wealth in Jandy Carvajal’s Repoussé Artworks
By Mara Fabella
His third exhibit of repoussé works, Ang Ating Mga Kayamanan Sa Bakuran is Jandy Carvajal's…

The Gathering Infestation in ND Harn’s Collecting Faults
By Mara Fabella
ND Harn's latest offering at Finale Art File unpack the stashes of thoughts and memories we stow away in the…

Score the matrix until you cut through: The art of Printmaking for the People
By The Cartellino Team
“Printmaking stands at the front lines of progressive propaganda. It…

Synthetic Condition: Relics of the Personal World like Shed Snakeskin
By Carl Cervantes
As one's identity, memories, and feelings emerge from the depths of the psyche, they find synthetic expressions,…

Pio Abad: Exorcising the Ghosts of the Marcos Regime
By Mara Fabella
After ten years of research into the conjugal dictatorship of Ferdinand and Imelda Marcos, Pio Abad's Fear…

Tracing trajectories in Jonas Eslao’s Blanc Gallery Solo Show
By The Cartellino Team
In Jonathan Eslao’s most recent show, scrap fabrics overlap, crack, and crease and clumps of paint collect…

On Shifting Perceptions: Artist Interview with Lesley-Anne Cao and Pam Quinto
By Zea Asis
Writer Zea Asis speaks to both Lesley-Anne Cao and…

Ang INK’s 30th Traces Its Role in Children’s Literature
By Wil Guzmanos
Nina Martinez, the current president of Ang INK,…

Artist Interview: Sam Feleo on Process and Her Next Steps
By Jose Naval
"In a way, the process became a process of care: about caring,…

Shedding Light: FotomotoPH on Their Inaugural and Connection through Portraiture
By The Cartellino Team
“Fotomoto” is a play on the words “photo…

Printmaking Illustrations: The self-published books and full-colored prints of Keith Gum
By Marz Aglipay
Unlike artists books that are often focused on highlighting…

Luck at First Strike: Three Winning Filipina Printmakers at International Print Exhibition
By Marz Aglipay
“Striking” is a printmaking term, meaning to lay paper on an inked plate to make a mark. It is…

A Site of Curiosities: Soft Power Peripherals
By Marz Aglipay
If you’re reading this article from your workstation,…

What to See in This Year's UPCFA Studio Arts Degree Show
By Shireen Co
This year's UPCFA student degree showcase serves up a balance of skill, talent, ingenuity, limning, incidentally,…

Sam Feleo’s Scopic Anatomies Continues with Altro Mondo
By The Cartellino Team
Scopic Anatomies - first with Cartellino, now on view at Altro Mondo gallery - is a fond update on the artist's…