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Sam Feleo at a Cellular Pace

How Sam Feleo found amicability with slowness.

Reconciling with Goodbye to All That

"Thus," curator Gwen Bautista writes, "Goodbye to All That is a collection and summary of what…

Get All Caught Up with JL Javier

JL Javier of Cartellino's Picks answers the First Edition questionnaire.

Stories Worth (Re)Telling: Philippine Artists at 2020 Berlin Biennale

Does it take an international biennale to learn about our local artists? No, but it's a good writing prompt.

All Paper, All Different at Galerie Stephanie

The gallery's Position Paper (Year Three) exhibits the dizzying possibilities the medium…

Coax until Fertile: Artist Interview with Kat Grow

We go to Kat Grow for understanding the slippery processes of art.

Silverlens: Anticipating the Day, Delicately

A culmination of artworks from the gallery’s #athomeseries, which began as early as March 28, and pieces…

Why Net Art Is Here to Stay

In line with movements like installation art and street art, the foremost principle was to close the gap with…

Not Visual Noise Deserves More Haunts

Apparent is a visceral kind of closeness, a physicality that bellows tones of immediacy across the gallery…

Collecting Young: Duncan Yu on His Beginnings into Art

Duncan Yu is clearly excited about art, its creators with their wild ideas and boundless creativity, and the…

Sam Feleo Crystallizes Time and Space in "The Horizon of Expectations"

Unlike vast sceneries or grand events (the boundless ocean, the crack of thunder) at which we could only balk,…

Zean Cabangis Regards Process and Meaning of Layers

Zean Cabangis shows his process in 'Constantly Beginning from the End' with each work showcased.

7 Art Therapy Activities You Can Do On Your Own

Art therapy is the use of artistic methods to improve one's mental health…

What Are Zines: History, Emergence, And Evolution

From fandoms to sociopolitical situations, a zine is the ultimate expression tool for a lot of people and the…

What Tells The True Value of Works On Paper?

What tells the true value of works on paper? Is it the medium used, the artist, or something more?