Art

Reading Gale Encarnacion’s Pushkin Roberts Anthology

"I found myself looking at each work in its entirety before checking their…

Oh, for art’s sake! The No Name Show is back

In The No Name Show 2.0, Gravity Art Space puts art-for-pleasure center stage

Kanpeki: The Voice of Independent Philippine Artists Heard in Kyoto

Koki Lxx visits Kyoto’s Voice Gallery, where curator Matsuo Megumi has teamed up with Nano to survey…

A Liminal Outer Space: On Celine Lee and Miguel Lorenzo Uy’s A Past, A Future

"What Lee and Uy simulate [...] lies in the interstices of our world and beyond — both here and there,…

Framing Windows to an Archive in three facets (After a text by Randall C. Jimerson)

At ALiWW, Imelda Cajipe Endaya's archival exhibit presents a repository "open,…

An art of memory in crisis

"In these works, looking is no ambiguous act. To look — clearly and intentionally…

The Joys and Abundance in the Life and Art of Inday Cadapan

"The simplicity in her form and her lack of a formal artistic background had…

The Ghost of Memory in Lui Gonzales' Countable and Uncountable

Writer Pie Tiausas discusses Lui Gonzales’ newest collection of paper compositions built up from the…

Looking through the materiality of memories in Isha Naguiat's Photo of a Photo

"By altering her family photographs physically and chemically, the artist created…

Remembering loss in Teo Esguerra's flirted with you all my life

The artist’s latest offering at Vinyl on Vinyl reflects on a life lived…

Imaging faith: A look at Lyndon Maglalang's Preparatory Measures

The collection of acrylic and dry paint compositions continues the documentation…

How memory weaves a thread of justice

In its second iteration in the Ateneo Art Gallery, a collaborative exhibit between researchers, autobiographical…

Collaging Worlds: The Contemporary Spiritual in Jet B. Leyco’s Ispirituwal Transaction

"With the collapse of the search for an archaic singular truth then comes the…

A Red That Runs Deep: Doktor Karayom’s Namatanda

At Artinformal Gallery, Doktor Karayom clads the walls red with tales of old, the stories that bleed.

The Transcendence of Memory: Luis Antonio Santos at MO_Space

Navigating our processes of forgetting and remembering, Luis Antonio Santos uses the land, our environments,…

The contradictions of construction in Vien Valencia's 'Unpainting'

"These are the supposed fallout from other projects, material in between, on…

'The absence left the void half full': Works on what we find in nothingness

Cartellino's first ever physical exhibition, presented at the 2022 Modern and Contemporary Art Festival, features…

Discerning Treasure and Wealth in Jandy Carvajal’s Repoussé Artworks

His third exhibit of repoussé works, Ang Ating Mga Kayamanan Sa Bakuran is Jandy Carvajal's…

To the fires that never go out: An ode to the myth, method, and madness in Iya Regalario’s Tag-Apoy

“Fire is life and death, the beginning and end, constantly burning through…