Allan Balisi’s Waiting Games
A wild plant grows through the concrete pavement
Data Dump: AI and Abstraction in Wataru Sakuma’s Hypercomplex
Time as truthsayer and shaper: Seventy Years Later
Upon A Bed of Gravel: A Journey Through Nona Garcia’s Overland
Two shows bask in clay’s quiet conundrums
The Black Dog Rises: Javy Villacin’s Itum na Ido at Qube Gallery
What happens after the dust settles? Stephen Lucio reflects on mortality
Finding the Filipino in Living Pictures
Material Histories in Muntadas: Exercises on Past and Present Memories
Embodied epics: The body and its memories in Julie Lluch’s Chronicles on Skin
Participating in the anti-monument in You Betrayed the Party Just When You Should Have Helped It
The Nebulous Aftermath: Rebirth in the Works of Amy Aragon, Jay Ticar, and Maria Cruz
From Me To You: Long Distance Worlds in Guided Agitation
A Paradise Ago: Pinky Ibarra Urmaza's Ghost Ode to the Library
Reading Gale Encarnacion’s Pushkin Roberts Anthology
Oh, for art’s sake! The No Name Show is back
Kanpeki: The Voice of Independent Philippine Artists Heard in Kyoto
A Liminal Outer Space: On Celine Lee and Miguel Lorenzo Uy’s A Past, A Future