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Looking back at Angkor Photo Workshops

As deadlines approached for the next Angkor Photo Festival and Workshops, Lk Rigor joins Angkor Photo alumni…

A city that kills in Mike Olea’s Kanayunan Patungong Kalunsuran

Mike Olea’s photographs trace killing as violence encoded in the daily…

Finding the Filipino in Living Pictures

Decribed as “the world’s first-ever survey of photography's histories across Southeast Asia”,…

A Paradise Ago: Pinky Ibarra Urmaza's Ghost Ode to the Library

"What does an artwork know? What does it withhold from the viewer? And how…

Reflecting Legacies: The Glass Art of Anna Orlina

Between carrying her family's legacy and forging her own artistic path, Anna Orlina's practice is one of harmony…

A Liminal Outer Space: On Celine Lee and Miguel Lorenzo Uy’s A Past, A Future

"What Lee and Uy simulate [...] lies in the interstices of our world and beyond — both here and there,…

Further Conversation with Material: Curator’s Talk with Lara Acuin and Con Cabrera 

Speaking with Lk Rigor, curators Lara Acuin and Con Cabrera go into the intricacies of curating, artmaking,…

Looking through the materiality of memories in Isha Naguiat's Photo of a Photo

"By altering her family photographs physically and chemically, the artist created…

Remembering loss in Teo Esguerra's flirted with you all my life

The artist’s latest offering at Vinyl on Vinyl reflects on a life lived…

Fotomoto 22 brings us “Home”

Fotomoto 22 opens up to more photographers for its second edition themed “Home”.

The glimmer of woman’s desire in Pam Quinto’s ‘lonely is the room’

"It would seem that I’d been led to trespass at a crime scene. Was it…

Writer and director Alex Westfall critically imagines history through archives and fiction

“A lot of my work stems from the existential question 'How did I get here? [...] What would have happened…