Search - OIL

Art Haul 2024: RECIPROCITY
By The Cartellino Team

Art Haul 2024
By The Cartellino Team

Revolution and remembrance in the first-ever Philippine Pavilion of the Gwangju Biennale
By Pao Vergara

On Debris and Idylls: Zean Cabangis’s Nawawalang Paraiso
By Mara Fabella

PNEUMA
By The Cartellino Team

Sculptor Raymund Fernandez isn’t afraid of death
By Denzel Yorong

Memories, Impressions, and Hopes: On Thought for the morrow
By Mara Fabella

Clearing the Visions Through White Noise
By Grace Micah Oreiro

Please Touch the Art at Art in the Park 2024

By Madeleine Teh

“The Little Paper Show”: The journey thus far
By Lk Rigor

“In the Face of…”

A Portrait of a Portrait Show Part 2
By Mara Fabella

Snare for Birds: Rereading the Colonial Archive
By Lk Rigor

Colors and core memories in Littlespaceboi's art
By The Cartellino Team

Once/Is A Girl: On Marionne Contreras’ Poetry has left me 
By Zea Asis

Refuge in the Art of Nicole Tee
By Mara Fabella
"Are we shaped by the spaces around us, or are our spaces extensions of our…

A city that kills in Mike Olea’s Kanayunan Patungong Kalunsuran
By Chesca Santiago
Mike Olea’s photographs trace killing as violence encoded in the daily…

What's in a gesture?
By Sean Carballo
"To gesture, on the one hand, is to signify an artistic mark. But, on the other, it is an intuitive language…

Nina Garibay and the art of piecing a presence together
By The Cartellino Team
Her Cartellino Solo Release, I’m…

Allan Balisi’s Waiting Games
By Sean Carballo
"[T]here’s a romantic tinge to the practice of waiting, an ache that renders us momentarily porous, submersible."

Natures of Curation: A Conversation with Gian Carlo Delgado
By Sean Carballo
In the Realm of Nature grappled…

Upon A Bed of Gravel: A Journey Through Nona Garcia’s Overland
By Mara Fabella
What does it mean to actually “be” in a place—to be present in all its qualities, in what…