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Reflections on the Philippine art scene’s manly competitions and dirty plays
By Carla Gamalinda

Gaze and Politics in Vien Valencia’s BAD LAND
By Chesca Santiago

Heeding Signs all the way home
By Nikki Ignacio

Please Touch the Art at Art in the Park 2024

By Madeleine Teh

Trend Analysis: Reshaping the Land At Art Fair PH 2024

 
By Madeleine Teh

Approaching Surface Level: An Interview with Celine Lee
By Sean Carballo

Everything’s Going to Be Fine: In Conversation with Katrina Stuart Santiago
By Madeleine Teh

Refuge in the Art of Nicole Tee
By Mara Fabella
"Are we shaped by the spaces around us, or are our spaces extensions of our…

The Visceral Mindscapes of Tarzeer Pictures’ Hemispheres
By Sean Carballo
"Throughout the show, a range of elements attempt to provide structure and…

Stitching Her Own Image: On Maricar Tolentino’s Sipat
By Zea Asis

What's in a gesture?
By Sean Carballo
"To gesture, on the one hand, is to signify an artistic mark. But, on the other, it is an intuitive language…

Nina Garibay and the art of piecing a presence together
By The Cartellino Team
Her Cartellino Solo Release, I’m…

Allan Balisi’s Waiting Games
By Sean Carballo
"[T]here’s a romantic tinge to the practice of waiting, an ache that renders us momentarily porous, submersible."

The non-brutal submissions in Archie Geotina’s Tropikal Brutalism
By Lk Rigor

Data Dump: AI and Abstraction in Wataru Sakuma’s Hypercomplex
By Sean Carballo
Across Sakuma’s paper works in Hypercomplex

Two shows bask in clay’s quiet conundrums
By Sean Carballo
Pablo Capati III, Marco Rosario, and Jezzel Wee’s ‘These common, intimate things’, and Jon…

First impressions: Inside the OVERINKED Studio
By The Cartellino Team
As part of Prints Made in May 2023, Cartellino met with the members of up-and-coming…

A Break-Up as Queer Form in Jao San Pedro’s Willing the Sun to Rise Twice
By Sean Carballo

What happens after the dust settles? Stephen Lucio reflects on mortality
By Shireen Co
Dust envelops the sweep of Stephen Lucio’s first solo exhibit. The through line of ‘When Dust Settles’,…

Reflecting Legacies: The Glass Art of Anna Orlina
By Mara Fabella
Between carrying her family's legacy and forging her own artistic path, Anna Orlina's practice is one of harmony…

A Liminal Outer Space: On Celine Lee and Miguel Lorenzo Uy’s A Past, A Future
By Pie Tiausas
"What Lee and Uy simulate [...] lies in the interstices of our world and beyond — both here and there,…