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Beyond the line: A profile on Eugenia Alcaide
By Corinne Fernandez Garcia
“It is this emotion that compels, that makes art relatable, that turns…

Galleries take a youthful approach to art at the Xavier Art Fest 2023
By Pao Vergara
Resuming its in-person format, the Xavier Art Fest continues its mission to…

How farmers and cultural workers teamed up to preserve Bulacan’s agricultural, built, and artistic heritage 
By Pao Vergara
“Tayo ang bukid,” (“we…

Reading Gale Encarnacion’s Pushkin Roberts Anthology
By Mara Fabella
"I found myself looking at each work in its entirety before checking their…

Oh, for art’s sake! The No Name Show is back
By Pao Vergara
In The No Name Show 2.0, Gravity Art Space puts art-for-pleasure center stage

Molding, meaning, making: How Tahanan Pottery is building a communal home for contemporary ceramic pottery
By Nikki Ignacio
“Clay is the only material that replies to your touch. When you poke…

Framing Windows to an Archive in three facets (After a text by Randall C. Jimerson)
By Lk Rigor
At ALiWW, Imelda Cajipe Endaya's archival exhibit presents a repository "open,…

Jana Benitez answers and shares the call of the wild
By Pao Vergara
With a wide range of styles following her childhood entry into the art world,…

Being Kids For Kids: Culture-conscious action toward empowered futures
By The Cartellino Team
"We’re trying to create a world where no matter how different your passions are, everyone should be able…

The Joys and Abundance in the Life and Art of Inday Cadapan
By Mara Fabella
"The simplicity in her form and her lack of a formal artistic background had…

Further Conversation with Material: Curator’s Talk with Lara Acuin and Con Cabrera 
By Lk Rigor
Speaking with Lk Rigor, curators Lara Acuin and Con Cabrera go into the intricacies of curating, artmaking,…

A decade of Jaime Pacena II’s creative practice: There’s art in all the in-betweens
By James Luigi Tana

A Conversation: Brushing histories, carving space
By Lyra Garcellano and Lec Cruz
In reflections on their personal artistic process, the artists invite readers and viewers of art to engage…

This is Not MO_Space: Traversing a space of unknowing
By Sean Carballo
"This is Not MO_Space gathers…

Remembering loss in Teo Esguerra's flirted with you all my life
By The Cartellino Team
The artist’s latest offering at Vinyl on Vinyl reflects on a life lived…

Weaving a Legacy: Of Art, Growth, and Community
By Alyssa Selanova
"Now in its fourth year, Tubô Cebu Art Fair continuously echoes and demonstrates Visayas-Mindanao's growing…

Fotomoto 22 brings us “Home”
By Marz Aglipay
Fotomoto 22 opens up to more photographers for its second edition themed “Home”.

The Transcendence of Memory: Luis Antonio Santos at MO_Space
By Meg Genuino
Navigating our processes of forgetting and remembering, Luis Antonio Santos uses the land, our environments,…

'The absence left the void half full': Works on what we find in nothingness
By Gabrielle Gonzales
Cartellino's first ever physical exhibition, presented at the 2022 Modern and Contemporary Art Festival, features…

Discerning Treasure and Wealth in Jandy Carvajal’s Repoussé Artworks
By Mara Fabella
His third exhibit of repoussé works, Ang Ating Mga Kayamanan Sa Bakuran is Jandy Carvajal's…

To the fires that never go out: An ode to the myth, method, and madness in Iya Regalario’s Tag-Apoy
By Nikki Ignacio
“Fire is life and death, the beginning and end, constantly burning through…