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The building blocks of Baraks: Artists at the heart of the collective/space
By Lk Rigor
“Fundamentally, artists are at the heart of this collective/space, so…

Reflecting Legacies: The Glass Art of Anna Orlina
By Mara Fabella
Between carrying her family's legacy and forging her own artistic path, Anna Orlina's practice is one of harmony…

Tactile trajectories: The curatorial life with Pristine de Leon
By Sean Carballo
"Archive here is not personal, but intimate; it keeps the world close by. The hand is only one among many hands,…

Beyond the line: A profile on Eugenia Alcaide
By Corinne Fernandez Garcia
“It is this emotion that compels, that makes art relatable, that turns…

Galleries take a youthful approach to art at the Xavier Art Fest 2023
By Pao Vergara
Resuming its in-person format, the Xavier Art Fest continues its mission to…

How farmers and cultural workers teamed up to preserve Bulacan’s agricultural, built, and artistic heritage 
By Pao Vergara
“Tayo ang bukid,” (“we…

Catalina Africa charts a shapeshifting path
By Sean Carballo
“The energy of my work comes from the Baler landscape... I am a conduit…

Reading Gale Encarnacion’s Pushkin Roberts Anthology
By Mara Fabella
"I found myself looking at each work in its entirety before checking their…

Oh, for art’s sake! The No Name Show is back
By Pao Vergara
In The No Name Show 2.0, Gravity Art Space puts art-for-pleasure center stage

Molding, meaning, making: How Tahanan Pottery is building a communal home for contemporary ceramic pottery
By Nikki Ignacio
“Clay is the only material that replies to your touch. When you poke…

Kanpeki: The Voice of Independent Philippine Artists Heard in Kyoto
By Koki Lxx
Koki Lxx visits Kyoto’s Voice Gallery, where curator Matsuo Megumi has teamed up with Nano to survey…

A Liminal Outer Space: On Celine Lee and Miguel Lorenzo Uy’s A Past, A Future
By Pie Tiausas
"What Lee and Uy simulate [...] lies in the interstices of our world and beyond — both here and there,…

Framing Windows to an Archive in three facets (After a text by Randall C. Jimerson)
By Lk Rigor
At ALiWW, Imelda Cajipe Endaya's archival exhibit presents a repository "open,…

An art of memory in crisis
By Sean Carballo
"In these works, looking is no ambiguous act. To look — clearly and intentionally…

Jana Benitez answers and shares the call of the wild
By Pao Vergara
With a wide range of styles following her childhood entry into the art world,…

Being Kids For Kids: Culture-conscious action toward empowered futures
By The Cartellino Team
"We’re trying to create a world where no matter how different your passions are, everyone should be able…

The Joys and Abundance in the Life and Art of Inday Cadapan
By Mara Fabella
"The simplicity in her form and her lack of a formal artistic background had…

Further Conversation with Material: Curator’s Talk with Lara Acuin and Con Cabrera 
By Lk Rigor
Speaking with Lk Rigor, curators Lara Acuin and Con Cabrera go into the intricacies of curating, artmaking,…

A decade of Jaime Pacena II’s creative practice: There’s art in all the in-betweens
By James Luigi Tana

The Ghost of Memory in Lui Gonzales' Countable and Uncountable
By Pie Tiausas
Writer Pie Tiausas discusses Lui Gonzales’ newest collection of paper compositions built up from the…

A Conversation: Brushing histories, carving space
By Lyra Garcellano and Lec Cruz
In reflections on their personal artistic process, the artists invite readers and viewers of art to engage…