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The Feminine as Catalyst: Rethinking Art and Power
By Jodie Jose

Palinodial Ground
By The Cartellino Team

Shelf-expression: This book art exhibition at Ortigas Library showcased contemporary takes on what books can be
By Marz Aglipay

PNEUMA
By The Cartellino Team

Please Touch the Art at Art in the Park 2024

By Madeleine Teh

Recent ruminations on the archives: on body, care, and time
By Lk Rigor

Becoming An Art World Insider at ALT Philippines 2024
By Madeleine Teh

Creating connections with Rachel Anne Lacaba
By The Cartellino Team

Once/Is A Girl: On Marionne Contreras’ Poetry has left me 
By Zea Asis

Refuge in the Art of Nicole Tee
By Mara Fabella
"Are we shaped by the spaces around us, or are our spaces extensions of our innermost selves?"

A city that kills in Mike Olea’s Kanayunan Patungong Kalunsuran
By Chesca Santiago
Mike Olea’s photographs trace killing as violence encoded in the daily life of the urban poor.

Natures of Curation: A Conversation with Gian Carlo Delgado
By Sean Carballo
In the Realm of Nature grappled with our ideas about nature, inviting…

Print and Imprint: Pandy and Diana Aviado on leaving a mark through printmaking
By Nikki Ignacio
“I’m still trying to find out what it all means—

Participating in the anti-monument in You Betrayed the Party Just When You Should Have Helped It
By Corinne Fernandez Garcia
"The anti-monument is understated. It listens to the land and it listens to the people, creating space for long-marginalized histories and alterities…

The building blocks of Baraks: Artists at the heart of the collective/space
By Lk Rigor
“Fundamentally, artists are at the heart of this collective/space, so we understand the economics of how it is…

Tactile trajectories: The curatorial life with Pristine de Leon
By Sean Carballo
"Archive here is not personal, but intimate; it keeps the world close by. The hand is only one among many hands, open to being touched."

How farmers and cultural workers teamed up to preserve Bulacan’s agricultural, built, and artistic heritage 
By Pao Vergara
“Tayo ang bukid,” (“we are the meadow”) reads…

Oh, for art’s sake! The No Name Show is back
By Pao Vergara
In The No Name Show 2.0, Gravity Art Space puts art-for-pleasure center stage

A Red That Runs Deep: Doktor Karayom’s Namatanda
By Mara Fabella
At Artinformal Gallery, Doktor Karayom clads the walls red with tales of old, the stories that bleed.

Score the matrix until you cut through: The art of Printmaking for the People
By The Cartellino Team
“Printmaking stands at the front lines of progressive propaganda. It has long been an important part of Philippine…

Synthetic Condition: Relics of the Personal World like Shed Snakeskin
By Carl Cervantes
As one's identity, memories, and feelings emerge from the depths of the psyche, they find synthetic expressions, from paintings and collages to a video-game…