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Please Touch the Art at Art in the Park 2024

By Madeleine Teh

Recent ruminations on the archives: on body, care, and time
By Lk Rigor

What Transpired, What was Lost in National Arts Month 2024
By Chesca Santiago

Beyond Binaries and Biology: “Menarche” Explores the Iridescence of Womanhood
By Madeleine Teh

Becoming An Art World Insider at ALT Philippines 2024
By Madeleine Teh

Creating connections with Rachel Anne Lacaba
By The Cartellino Team

Once/Is A Girl: On Marionne Contreras’ Poetry has left me 
By Zea Asis

Refuge in the Art of Nicole Tee
By Mara Fabella
"Are we shaped by the spaces around us, or are our spaces extensions of our…

A city that kills in Mike Olea’s Kanayunan Patungong Kalunsuran
By Chesca Santiago
Mike Olea’s photographs trace killing as violence encoded in the daily…

Natures of Curation: A Conversation with Gian Carlo Delgado
By Sean Carballo
In the Realm of Nature grappled…

Print and Imprint: Pandy and Diana Aviado on leaving a mark through printmaking
By Nikki Ignacio
“I’m still trying to find out what it all means

Participating in the anti-monument in You Betrayed the Party Just When You Should Have Helped It
By Corinne Fernandez Garcia
"The anti-monument is understated. It listens to the land and it listens to the people, creating space for…

The building blocks of Baraks: Artists at the heart of the collective/space
By Lk Rigor
“Fundamentally, artists are at the heart of this collective/space, so…

Tactile trajectories: The curatorial life with Pristine de Leon
By Sean Carballo
"Archive here is not personal, but intimate; it keeps the world close by. The hand is only one among many hands,…

How farmers and cultural workers teamed up to preserve Bulacan’s agricultural, built, and artistic heritage 
By Pao Vergara
“Tayo ang bukid,” (“we…

Oh, for art’s sake! The No Name Show is back
By Pao Vergara
In The No Name Show 2.0, Gravity Art Space puts art-for-pleasure center stage

A Red That Runs Deep: Doktor Karayom’s Namatanda
By Mara Fabella
At Artinformal Gallery, Doktor Karayom clads the walls red with tales of old, the stories that bleed.

Score the matrix until you cut through: The art of Printmaking for the People
By The Cartellino Team
“Printmaking stands at the front lines of progressive propaganda. It…

Synthetic Condition: Relics of the Personal World like Shed Snakeskin
By Carl Cervantes
As one's identity, memories, and feelings emerge from the depths of the psyche, they find synthetic expressions,…

The Regions in Focus at the 10th Art Fair Philippines
By Marz Aglipay
With this year’s edition of Art Fair Philippines going hybrid, featured art groups from the country’s…

On Shifting Perceptions: Artist Interview with Lesley-Anne Cao and Pam Quinto
By Zea Asis
Writer Zea Asis speaks to both Lesley-Anne Cao and…