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Catalina Africa charts a shapeshifting path
By Sean Carballo
“The energy of my work comes from the Baler landscape... I am a conduit…

Reading Gale Encarnacion’s Pushkin Roberts Anthology
By Mara Fabella
"I found myself looking at each work in its entirety before checking their…

Oh, for art’s sake! The No Name Show is back
By Pao Vergara
In The No Name Show 2.0, Gravity Art Space puts art-for-pleasure center stage

Molding, meaning, making: How Tahanan Pottery is building a communal home for contemporary ceramic pottery
By Nikki Ignacio
“Clay is the only material that replies to your touch. When you poke…

Kanpeki: The Voice of Independent Philippine Artists Heard in Kyoto
By Koki Lxx
Koki Lxx visits Kyoto’s Voice Gallery, where curator Matsuo Megumi has teamed up with Nano to survey…

A Liminal Outer Space: On Celine Lee and Miguel Lorenzo Uy’s A Past, A Future
By Pie Tiausas
"What Lee and Uy simulate [...] lies in the interstices of our world and beyond — both here and there,…

Framing Windows to an Archive in three facets (After a text by Randall C. Jimerson)
By Lk Rigor
At ALiWW, Imelda Cajipe Endaya's archival exhibit presents a repository "open,…

An art of memory in crisis
By Sean Carballo
"In these works, looking is no ambiguous act. To look — clearly and intentionally…

Jana Benitez answers and shares the call of the wild
By Pao Vergara
With a wide range of styles following her childhood entry into the art world,…

Further Conversation with Material: Curator’s Talk with Lara Acuin and Con Cabrera 
By Lk Rigor
Speaking with Lk Rigor, curators Lara Acuin and Con Cabrera go into the intricacies of curating, artmaking,…

A decade of Jaime Pacena II’s creative practice: There’s art in all the in-betweens
By James Luigi Tana

A Conversation: Brushing histories, carving space
By Lyra Garcellano and Lec Cruz
In reflections on their personal artistic process, the artists invite readers and viewers of art to engage…

of forgetting, of remembering
By James Luigi Tana
"Writing has to side with collective truths and it should compel one to interrogate…

Looking through the materiality of memories in Isha Naguiat's Photo of a Photo
By Lk Rigor
"By altering her family photographs physically and chemically, the artist created…

This is Not MO_Space: Traversing a space of unknowing
By Sean Carballo
"This is Not MO_Space gathers…

Remembering loss in Teo Esguerra's flirted with you all my life
By The Cartellino Team
The artist’s latest offering at Vinyl on Vinyl reflects on a life lived…

Weaving a Legacy: Of Art, Growth, and Community
By Alyssa Selanova
"Now in its fourth year, Tubô Cebu Art Fair continuously echoes and demonstrates Visayas-Mindanao's growing…

Fotomoto 22 brings us “Home”
By Marz Aglipay
Fotomoto 22 opens up to more photographers for its second edition themed “Home”.

Collaging Worlds: The Contemporary Spiritual in Jet B. Leyco’s Ispirituwal Transaction
By Pie Tiausas
"With the collapse of the search for an archaic singular truth then comes the…

The Transcendence of Memory: Luis Antonio Santos at MO_Space
By Meg Genuino
Navigating our processes of forgetting and remembering, Luis Antonio Santos uses the land, our environments,…

'The absence left the void half full': Works on what we find in nothingness
By Gabrielle Gonzales
Cartellino's first ever physical exhibition, presented at the 2022 Modern and Contemporary Art Festival, features…