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Revolution and remembrance in the first-ever Philippine Pavilion of the Gwangju Biennale
By Pao Vergara

Heeding Signs all the way home
By Nikki Ignacio

FCPM: Time Held at a Standstill with Paulu Bruselas
By The Cartellino Team

FCPM: Intangible Geometries in the Art of Jomike Tejido
By The Cartellino Team

From Maginhawa to Koganecho, With Love
By Pao Vergara

Colors and core memories in Littlespaceboi's art
By The Cartellino Team

The tenor of sound practice in Manila
By Chesca Santiago
A conversation with Dayang Yraola on the labels, ecologies, and shifts of sound.

The non-brutal submissions in Archie Geotina’s Tropikal Brutalism
By Lk Rigor

Data Dump: AI and Abstraction in Wataru Sakuma’s Hypercomplex
By Sean Carballo
Across Sakuma’s paper works in Hypercomplex

Tracing the Ant: Curator’s Talk with Mayumi Hirano
By Lk Rigor
In her second Curator's Talk, writer Lk Rigor speaks with Mayumi Hirano about the challenges and charms of…

Two shows bask in clay’s quiet conundrums
By Sean Carballo
Pablo Capati III, Marco Rosario, and Jezzel Wee’s ‘These common, intimate things’, and Jon…

Finding the Filipino in Living Pictures
By Lk Rigor
Decribed as “the world’s first-ever survey of photography's histories across Southeast Asia”,…

Kanpeki: The Voice of Independent Philippine Artists Heard in Kyoto
By Koki Lxx
Koki Lxx visits Kyoto’s Voice Gallery, where curator Matsuo Megumi has teamed up with Nano to survey…

A decade of Jaime Pacena II’s creative practice: There’s art in all the in-betweens
By James Luigi Tana

A Conversation: Brushing histories, carving space
By Lyra Garcellano and Lec Cruz
In reflections on their personal artistic process, the artists invite readers and viewers of art to engage…

Odes on a gossamer existence: The works of Hae Ryun, Christian Carillaza and Jem Magbanua
By The Cartellino Team
At Galerie Stephanie, a trio of shows offer a contemplative retreat into the sublimity of nature.

On Shifting Perceptions: Artist Interview with Lesley-Anne Cao and Pam Quinto
By Zea Asis
Writer Zea Asis speaks to both Lesley-Anne Cao and…

Printmaking Illustrations: The self-published books and full-colored prints of Keith Gum
By Marz Aglipay
Unlike artists books that are often focused on highlighting…

Luck at First Strike: Three Winning Filipina Printmakers at International Print Exhibition
By Marz Aglipay
“Striking” is a printmaking term, meaning to lay paper on an inked plate to make a mark. It is…

What to See in This Year's UPCFA Studio Arts Degree Show
By Shireen Co
This year's UPCFA student degree showcase serves up a balance of skill, talent, ingenuity, limning, incidentally,…

How Thirty-three Artists Redefine 'Kasarinlan'
By Shireen Co
Launched, tellingly, on July 4 at the Linangan Art Residency, the group exhibition 'Kasarinlan' examines…