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Reflections on the Philippine art scene’s manly competitions and dirty plays

Revolution and remembrance in the first-ever Philippine Pavilion of the Gwangju Biennale

On Debris and Idylls: Zean Cabangis’s Nawawalang Paraiso

PNEUMA

Clearing the Visions Through White Noise

Hope is a Flight of Fancy: On Gabby Prado’s I’m Dying but I Want Bumblebee

Please Touch the Art at Art in the Park 2024

Beyond Binaries and Biology: “Menarche” Explores the Iridescence of Womanhood

FCPM: Time Held at a Standstill with Paulu Bruselas

When Collecting Is Caring: In Conversation With Dr. Anthony Marc Ancheta

Snare for Birds: Rereading the Colonial Archive

In Cholo Cardenas' mind's eye

How Gianne Encarnacion traces the worlds within

Data Dump: AI and Abstraction in Wataru Sakuma’s Hypercomplex

Natures of Curation: A Conversation with Gian Carlo Delgado

Dreaming and Beyond: Jun Impas’ Pangandoy

A Break-Up as Queer Form in Jao San Pedro’s Willing the Sun to Rise Twice

Print and Imprint: Pandy and Diana Aviado on leaving a mark through printmaking

The Nebulous Aftermath: Rebirth in the Works of Amy Aragon, Jay Ticar, and Maria Cruz

Framing Windows to an Archive in three facets (After a text by Randall C. Jimerson)

An art of memory in crisis