Search - 2019

Empowering a new generation of artists
By The Cartellino Team

Art Haul 2024: RECIPROCITY
By The Cartellino Team

Art Haul 2024
By The Cartellino Team

Revolution and remembrance in the first-ever Philippine Pavilion of the Gwangju Biennale
By Pao Vergara

Clearing the Visions Through White Noise
By Grace Micah Oreiro

Recent ruminations on the archives: on body, care, and time
By Lk Rigor

“The Little Paper Show”: The journey thus far
By Lk Rigor

“In the Face of…”

A Portrait of a Portrait Show Part 2
By Mara Fabella

Snare for Birds: Rereading the Colonial Archive
By Lk Rigor

Creating connections with Rachel Anne Lacaba
By The Cartellino Team

Two collectives show how Antipolo’s art traditions continue to define the city as a creative capital
By Pao Vergara
Against a backdrop of museums, workshops, and artist retreats, we spotlight…

Hauntingly beautiful: Manifesting queer beauty through reclaimed narratives in Zeus Bascon’s Multong Bakla
By Pao Vergara
Artists across genres in the Philippines and the diaspora in Canada combined…

The tenor of sound practice in Manila
By Chesca Santiago
A conversation with Dayang Yraola on the labels, ecologies, and shifts of sound.

Dreaming and Beyond: Jun Impas’ Pangandoy
By Gwen Bautista
“From festivals to the stillness of a normal weekday, his paintings orient us to see the peripheries.” 

First impressions: Inside the OVERINKED Studio
By The Cartellino Team
As part of Prints Made in May 2023, Cartellino met with the members of up-and-coming…

Finding the Filipino in Living Pictures
By Lk Rigor
Decribed as “the world’s first-ever survey of photography's histories across Southeast Asia”,…

Material Histories in Muntadas: Exercises on Past and Present Memories
By Sean Carballo
"Resulting from a period of archival research after the artist first visited…

Reflecting Legacies: The Glass Art of Anna Orlina
By Mara Fabella
Between carrying her family's legacy and forging her own artistic path, Anna Orlina's practice is one of harmony…

Tactile trajectories: The curatorial life with Pristine de Leon
By Sean Carballo
"Archive here is not personal, but intimate; it keeps the world close by. The hand is only one among many hands,…

How farmers and cultural workers teamed up to preserve Bulacan’s agricultural, built, and artistic heritage 
By Pao Vergara
“Tayo ang bukid,” (“we…

Catalina Africa charts a shapeshifting path
By Sean Carballo
“The energy of my work comes from the Baler landscape... I am a conduit…