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Heeding Signs all the way home
By Nikki Ignacio

Please Touch the Art at Art in the Park 2024

By Madeleine Teh

Recent ruminations on the archives: on body, care, and time
By Lk Rigor

FCPM: Intangible Geometries in the Art of Jomike Tejido
By The Cartellino Team

Trend Analysis: Reshaping the Land At Art Fair PH 2024

 
By Madeleine Teh

“In the Face of…”

A Portrait of a Portrait Show Part 2
By Mara Fabella

Added to Cart: Ayka Go’s Play House Offers a Place to Daydream

 
By Sean Carballo

Everything’s Going to Be Fine: In Conversation with Katrina Stuart Santiago
By Madeleine Teh

Tyang Karyel finds her own way to happy island
By The Cartellino Team

Aldy Aguirre's Reflections in Watercolor
By The Cartellino Team
"I can somehow control watercolor, but no fully, and I like that. Not all my…

How Gianne Encarnacion traces the worlds within
By The Cartellino Team
In the past year, the artist and illustrator’s works have come to life…

Once/Is A Girl: On Marionne Contreras’ Poetry has left me 
By Zea Asis

Looking back at Angkor Photo Workshops
By Lk Rigor
As deadlines approached for the next Angkor Photo Festival and Workshops, Lk Rigor joins Angkor Photo alumni…

A wild plant grows through the concrete pavement
By Pao Vergara
Punk lives on in unexpected spaces through artists A.lien (Neil Arvin Javier)…

The non-brutal submissions in Archie Geotina’s Tropikal Brutalism
By Lk Rigor

 Time as truthsayer and shaper: Seventy Years Later
By Nikki Ignacio
Both guided by the notion that people are “intermediaries and creators of destiny”, Prado and Bumanlag…

Dreaming and Beyond: Jun Impas’ Pangandoy
By Gwen Bautista
“From festivals to the stillness of a normal weekday, his paintings orient us to see the peripheries.” 

Tracing the Ant: Curator’s Talk with Mayumi Hirano
By Lk Rigor
In her second Curator's Talk, writer Lk Rigor speaks with Mayumi Hirano about the challenges and charms of…

Playtime for the inner child: A look into Khavn de la Cruz’s art practice
By Pao Vergara
Khavn de la Cruz talks to Cartellino

Finding the Filipino in Living Pictures
By Lk Rigor
Decribed as “the world’s first-ever survey of photography's histories across Southeast Asia”,…

A Paradise Ago: Pinky Ibarra Urmaza's Ghost Ode to the Library
By Sean Carballo
"What does an artwork know? What does it withhold from the viewer? And how…