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A city that kills in Mike Olea’s Kanayunan Patungong Kalunsuran

Mike Olea’s photographs trace killing as violence encoded in the daily…

 Time as truthsayer and shaper: Seventy Years Later

Both guided by the notion that people are “intermediaries and creators of destiny”, Prado and Bumanlag…

Upon A Bed of Gravel: A Journey Through Nona Garcia’s Overland

What does it mean to actually “be” in a place—to be present in all its qualities, in what…

A Paradise Ago: Pinky Ibarra Urmaza's Ghost Ode to the Library

"What does an artwork know? What does it withhold from the viewer? And how…

The building blocks of Baraks: Artists at the heart of the collective/space

“Fundamentally, artists are at the heart of this collective/space, so…

Reading Gale Encarnacion’s Pushkin Roberts Anthology

"I found myself looking at each work in its entirety before checking their…

An art of memory in crisis

"In these works, looking is no ambiguous act. To look — clearly and intentionally…

Looking through the materiality of memories in Isha Naguiat's Photo of a Photo

"By altering her family photographs physically and chemically, the artist created…

The Gathering Infestation in ND Harn’s Collecting Faults

ND Harn's latest offering at Finale Art File unpack the stashes of thoughts and memories we stow away in the…

Pio Abad: Exorcising the Ghosts of the Marcos Regime

After ten years of research into the conjugal dictatorship of Ferdinand and Imelda Marcos, Pio Abad's Fear…