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How farmers and cultural workers teamed up to preserve Bulacan’s agricultural, built, and artistic heritage 
By Pao Vergara
“Tayo ang bukid,” (“we…

Reading Gale Encarnacion’s Pushkin Roberts Anthology
By Mara Fabella
"I found myself looking at each work in its entirety before checking their…

Oh, for art’s sake! The No Name Show is back
By Pao Vergara
In The No Name Show 2.0, Gravity Art Space puts art-for-pleasure center stage

Kanpeki: The Voice of Independent Philippine Artists Heard in Kyoto
By Koki Lxx
Koki Lxx visits Kyoto’s Voice Gallery, where curator Matsuo Megumi has teamed up with Nano to survey…

An art of memory in crisis
By Sean Carballo
"In these works, looking is no ambiguous act. To look — clearly and intentionally…

Jana Benitez answers and shares the call of the wild
By Pao Vergara
With a wide range of styles following her childhood entry into the art world,…

Being Kids For Kids: Culture-conscious action toward empowered futures
By The Cartellino Team
"We’re trying to create a world where no matter how different your passions are, everyone should be able…

A decade of Jaime Pacena II’s creative practice: There’s art in all the in-betweens
By James Luigi Tana

Weaving a Legacy: Of Art, Growth, and Community
By Alyssa Selanova
"Now in its fourth year, Tubô Cebu Art Fair continuously echoes and demonstrates Visayas-Mindanao's growing…

Discerning Treasure and Wealth in Jandy Carvajal’s Repoussé Artworks
By Mara Fabella
His third exhibit of repoussé works, Ang Ating Mga Kayamanan Sa Bakuran is Jandy Carvajal's…

Writer and director Alex Westfall critically imagines history through archives and fiction
By Zea Asis
“A lot of my work stems from the existential question 'How did I get here? [...] What would have happened…

Remembering and Retrieving in Ateneo Art Gallery's Ligalig
By Meg Genuino
"...With only less than a month before the registered population is given a chance to choose the nation’s…

Unprocessed and Hastily Published: Some Zines from a Personal Collection
By Carl Cervantes
The author dusts five collected zines in a part review, part remembrance of pre-pandemic past

What to See in This Year's UPCFA Studio Arts Degree Show
By Shireen Co
This year's UPCFA student degree showcase serves up a balance of skill, talent, ingenuity, limning, incidentally,…

First Edition Beneficiary Spotlight: Make-A-Wish Philippines
By The Cartellino Team
Through First Edition 2021, Cartellino is a proud wish partner of Make-A-Wish Philippines. A part of all…

Subjugation through Adoration: Bona (1980) Reviewed
By Raissa Azarcon
Interesting to note, too, is that the film was made and released when the Philippines was embroiled in the…

Present Catechisms
By Jose Naval
Why with art amid crisis are we no longer surprised?

Here Today, Gone Tomorrow: Careening on the Conceptual Tailwind of Hae Ryun
By Jose Naval
The story of how an artist found the amalgam for her life through a dream.

When Pat Frades Found Her Quarry
By The Cartellino Team
Pat Frades had long been in the company of artists. Inspiration became a matter of where she looked.

How Steph Alvarez Approaches Devotion
By Jose Naval
A reflection on devotion, how it tangles with persistence, and how fortitude comes with age.

Behind the Racket: FREE-Lances on the Art Gig Economy
By The Cartellino Team
Is there such a thing as an exclusively professional career in the arts? FREE-Lances’ Renan Laru-an,…