Search - Textures

Beyond Binaries and Biology: “Menarche” Explores the Iridescence of Womanhood
By Madeleine Teh

Snare for Birds: Rereading the Colonial Archive
By Lk Rigor

Colors and core memories in Littlespaceboi's art
By The Cartellino Team

Once/Is A Girl: On Marionne Contreras’ Poetry has left me 
By Zea Asis

The Visceral Mindscapes of Tarzeer Pictures’ Hemispheres
By Sean Carballo
"Throughout the show, a range of elements attempt to provide structure and…

Two shows bask in clay’s quiet conundrums
By Sean Carballo
Pablo Capati III, Marco Rosario, and Jezzel Wee’s ‘These common, intimate things’, and Jon…

First impressions: Inside the OVERINKED Studio
By The Cartellino Team
As part of Prints Made in May 2023, Cartellino met with the members of up-and-coming…

The Nebulous Aftermath: Rebirth in the Works of Amy Aragon, Jay Ticar, and Maria Cruz
By Mara Fabella
"It remains the keen ability of the artist to condense this vast spectrum of…

A Paradise Ago: Pinky Ibarra Urmaza's Ghost Ode to the Library
By Sean Carballo
"What does an artwork know? What does it withhold from the viewer? And how…

Artist Interview: Sam Feleo on Process and Her Next Steps
By Jose Naval
"In a way, the process became a process of care: about caring,…

On the Materiality of Cloth in Dino Gabito's ‘Threads’
By Shireen Co
Gabito’s preoccupation with cloth focuses…

And the Sea Inside, Our Host: Artist Interview with Bea Policarpio
By The Cartellino Team
“Art is always a confession, and in every stroke is a record of that day’s fears and joys.”

Cut & Curated: Seeing is to Feeling as It is to Believing
By The Cartellino Team
In this ediiton of Cut & Curated, we take seeing into a gratification of senses through patterns and textures.

The World Through Rose-Colored Lenses According to Olivia d'Aboville
By The Cartellino Team
Inspired by the color field movement, Olivia d'Aboville diverts from monochromatic palettes to bright hues…