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Sound as evocation and its specificity to space
By PAO VERGARA

The current unruly state of using archives in artmaking
By LK RIGOR

Upon A Bed of Gravel: A Journey Through Nona Garcia’s Overland
By Mara Fabella
What does it mean to actually “be” in a place—to be present in all its qualities, in what makes it unique? Reviewing Nona Garcia’s…

Two shows bask in clay’s quiet conundrums
By Sean Carballo
Pablo Capati III, Marco Rosario, and Jezzel Wee’s ‘These common, intimate things’, and Jon Pettyjohn’s ‘Steps’,…

Catalina Africa charts a shapeshifting path
By Sean Carballo
“The energy of my work comes from the Baler landscape... I am a conduit to translate the language of nature.”…

Mass Media and Martial Law in Alfredo Esquillo's Bread and Circuses
By Meg Genuino
As the country prepares for the inauguration of a new president, Esquillo’s works beckon viewers to look back — as far as the collapse…

CLOSING: Gary-Ross Pastrana’s ‘some recent (& disrupted) projects’
By Jose Naval

Dashiell Manley, Working Between Intention and Diversion
By The Cartellino Team
The multimedia artworks of Dashiell Manley, which have gone and been exhibited in nearly all the art world's centers…

Seeing through Textiles with Patricia Perez Eustaquio
By The Cartellino Team
In our conversation with the esteemed artist, we learned two things: 1) the reasons behind her fascination with textiles, and 2) that she writes so…

The Day is Now: Silverlens Galleries Reopens with Two New Shows
By The Cartellino Team
No need to anticipate the day any longer.

Silverlens: Anticipating the Day, Delicately
By The Cartellino Team
A culmination of artworks from the gallery’s #athomeseries, which began as early as March 28, and pieces made during the lockdown, the gallery’s…