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Flux and Process with Antoni Muntadas

Following his review of the artist's' Exercises on Past and Present Memories, Sean Carballo and Antoni Muntadas sit down to reflect on the…

Material Histories in Muntadas: Exercises on Past and Present Memories

"Resulting from a period of archival research after the artist first visited the country in 2019, Antoni Muntadas’s…

Participating in the anti-monument in You Betrayed the Party Just When You Should Have Helped It

"The anti-monument is understated. It listens to the land and it listens to the people, creating space for long-marginalized histories and alterities…

Beyond the line: A profile on Eugenia Alcaide

“It is this emotion that compels, that makes art relatable, that turns a personal image universal.”

An art of memory in crisis

"In these works, looking is no ambiguous act. To look — clearly and intentionally — lands as a corrective…

of forgetting, of remembering

"Writing has to side with collective truths and it should compel one to interrogate rather than to provide absolute…

How memory weaves a thread of justice

In its second iteration in the Ateneo Art Gallery, a collaborative exhibit between researchers, autobiographical subjects, and artmakers puts on a…

Pio Abad: Exorcising the Ghosts of the Marcos Regime

After ten years of research into the conjugal dictatorship of Ferdinand and Imelda Marcos, Pio Abad's Fear of Freedom Makes Us See Ghosts unearths…

Remembering and Retrieving in Ateneo Art Gallery's Ligalig

"...With only less than a month before the registered population is given a chance to choose the nation’s leaders, Ligalig presents a diversity…

Ang INK’s 30th Traces Its Role in Children’s Literature

Nina Martinez, the current president of Ang INK, shares the organization’s hopes for…

Like This/Like That: On 'Katulad/Kahadha'

This Instagram exhibition draws striking parallels between works by Philippine and Arab masters, identifying points of contact in diplomacy, migrant…

Not Visual Noise Deserves More Haunts

Apparent is a visceral kind of closeness, a physicality that bellows tones of immediacy across the gallery walls, even if it has us writhe.

Looking at The Times Through The Eyes of Charlie Co

Bending whimsy into the foreboding, Charlie Co’s works cast viewers adrift in his visual dreamscapes.